Ⅵ. 阅读与回答问题
根据短文内容，回答下列问题。
What's the first thing that comes into your mind when you think of wheat straw (稻草)? Most people would probably see it as a pile of waste in a farmer's field. However, Wu Cui, an intangible cultural inheritor (非遗传承人), can turn the straw into beautiful artworks.
The earliest straw-weaving (编织) works were found at Hemudu Cultural Ruins, a Neolithic cultural site in Zhejiang Province. This discovery means a lot to Chinese traditional culture. The Book of Rites also records that there were already mats (垫子) made of grass and professional straw-weaving craftsmen during the Zhou Dynasty.
Straw weaving is a method of making daily items or artworks. It was listed as a national intangible cultural heritage in 2008.
Wu explains the process of straw weaving: choosing from materials is the first step of a process that may take several weeks, or even months to complete. You need to draw the piece on paper, which requires drawing skills. Next comes weaving, shaping and preserving (保存) of the work. Even by finishing that process, it does not mean that you will always create a good piece of work, and the hardest part is to make it lifelike.
In the past, straw items could be found in almost every family in the countryside, in the form of straw hats and straw shoes, because they were practical in everyday life. But with the development of industry, many of these products are made in factories. This makes people gain little money, and there are only about 100 people joining in the work across the country.
Wu says to a news reporter that more craftsmen should work together to make a difference to the spread of the traditional culture.
1. Who is an intangible cultural inheritor in the article?
2. When was straw weaving listed as a national intangible cultural heritage?
3. What comes next after drawing the piece on paper?
4. Why do people make little money?
5. What can we do to help the art form?
根据短文内容，回答下列问题。
What's the first thing that comes into your mind when you think of wheat straw (稻草)? Most people would probably see it as a pile of waste in a farmer's field. However, Wu Cui, an intangible cultural inheritor (非遗传承人), can turn the straw into beautiful artworks.
The earliest straw-weaving (编织) works were found at Hemudu Cultural Ruins, a Neolithic cultural site in Zhejiang Province. This discovery means a lot to Chinese traditional culture. The Book of Rites also records that there were already mats (垫子) made of grass and professional straw-weaving craftsmen during the Zhou Dynasty.
Straw weaving is a method of making daily items or artworks. It was listed as a national intangible cultural heritage in 2008.
Wu explains the process of straw weaving: choosing from materials is the first step of a process that may take several weeks, or even months to complete. You need to draw the piece on paper, which requires drawing skills. Next comes weaving, shaping and preserving (保存) of the work. Even by finishing that process, it does not mean that you will always create a good piece of work, and the hardest part is to make it lifelike.
In the past, straw items could be found in almost every family in the countryside, in the form of straw hats and straw shoes, because they were practical in everyday life. But with the development of industry, many of these products are made in factories. This makes people gain little money, and there are only about 100 people joining in the work across the country.
Wu says to a news reporter that more craftsmen should work together to make a difference to the spread of the traditional culture.
1. Who is an intangible cultural inheritor in the article?
Wu Cui
2. When was straw weaving listed as a national intangible cultural heritage?
In 2008
3. What comes next after drawing the piece on paper?
Weaving, shaping and preserving of the work
4. Why do people make little money?
Because many products are made in factories
5. What can we do to help the art form?
We can work together to spread the traditional culture
答案：1. Wu Cui. 2. In 2008.
3. Weaving, shaping and preserving of the work.
4. Because many products are made in factories.
5. We can work together to spread the traditional culture.（答案不唯一，言之有理即可）
3. Weaving, shaping and preserving of the work.
4. Because many products are made in factories.
5. We can work together to spread the traditional culture.（答案不唯一，言之有理即可）
解析：
翻译:
### Ⅵ. 阅读与回答问题
根据短文内容，回答下列问题。
当你想到稻草时，首先映入脑海的是什么？大多数人可能会把它看作是农民田地里的一堆废弃物。然而，非遗传承人吴翠（Wu Cui）能把稻草变成精美的艺术品。
最早的草编作品是在浙江省的新石器时代文化遗址——河姆渡文化遗址中被发现的。这一发现对中国传统文化意义重大。《礼记》也记载，周朝时期就已经有草制的垫子和专业的草编工匠了。
草编是一种制作日常用品或艺术品的工艺。它在2008年被列为国家级非物质文化遗产。
吴翠解释了草编的制作过程：挑选材料是这个可能需要数周甚至数月才能完成的过程的第一步。你需要在纸上画出作品的图样，这需要绘画技巧。接下来是作品的编织、塑形和保存。即使完成了这个过程，也不意味着你总能创作出一件优秀的作品，最难的部分是让它栩栩如生。
在过去，农村几乎家家户户都能见到草编物品，比如草帽和草鞋，因为它们在日常生活中很实用。但随着工业的发展，许多这类产品都在工厂里生产了。这使得从事草编工作的人收入微薄，全国只有大约100人从事这项工作。
吴翠对一名新闻记者说，更多的工匠应该共同努力，为传统文化的传播做出贡献。
1. 文章中的非遗传承人是谁？
吴翠
2. 草编是什么时候被列为国家级非物质文化遗产的？
2008年
3. 在纸上画好图样之后接下来做什么？
作品的编织、塑形和保存
4. 为什么人们收入微薄？
因为许多产品都在工厂里生产
5. 我们能做些什么来帮助这种艺术形式（传承发展）？
我们可以共同努力传播传统文化
### Ⅵ. 阅读与回答问题
根据短文内容，回答下列问题。
当你想到稻草时，首先映入脑海的是什么？大多数人可能会把它看作是农民田地里的一堆废弃物。然而，非遗传承人吴翠（Wu Cui）能把稻草变成精美的艺术品。
最早的草编作品是在浙江省的新石器时代文化遗址——河姆渡文化遗址中被发现的。这一发现对中国传统文化意义重大。《礼记》也记载，周朝时期就已经有草制的垫子和专业的草编工匠了。
草编是一种制作日常用品或艺术品的工艺。它在2008年被列为国家级非物质文化遗产。
吴翠解释了草编的制作过程：挑选材料是这个可能需要数周甚至数月才能完成的过程的第一步。你需要在纸上画出作品的图样，这需要绘画技巧。接下来是作品的编织、塑形和保存。即使完成了这个过程，也不意味着你总能创作出一件优秀的作品，最难的部分是让它栩栩如生。
在过去，农村几乎家家户户都能见到草编物品，比如草帽和草鞋，因为它们在日常生活中很实用。但随着工业的发展，许多这类产品都在工厂里生产了。这使得从事草编工作的人收入微薄，全国只有大约100人从事这项工作。
吴翠对一名新闻记者说，更多的工匠应该共同努力，为传统文化的传播做出贡献。
1. 文章中的非遗传承人是谁？
吴翠
2. 草编是什么时候被列为国家级非物质文化遗产的？
2008年
3. 在纸上画好图样之后接下来做什么？
作品的编织、塑形和保存
4. 为什么人们收入微薄？
因为许多产品都在工厂里生产
5. 我们能做些什么来帮助这种艺术形式（传承发展）？
我们可以共同努力传播传统文化